Saturday 28 April 2012

HEY GUYS!

THANKS FOR THE LOVE YOU HAVE SHOWN ME ON THIS BLOG. IT'S BEEN SUCH FUN SHARING WITH YOU.

HOWEVER, CHANGES COME AND GROWTH DOES HAPPEN!

THIS BLOG HAS BEEN MOVED TO www.dearartiste.com

YOU CAN CATCH UP WITH ME THERE AND HAVE MORE FUN, READING MORE ENLIGHTNING ARTICLES, MUSIC REVIEWS, WATCH VIDEOS FROM NEW ARTISTES AND LISTEN TO FRESH SONGS FROM BRAND NEW ACTS.

THE WEBSITE IS FUN AND INTERRACTIVE! WE EVEN HAVE A MUSIC LAW PAGE TO ADDRESS YOUR LEGAL ISSUES TOO!

SO HURRY UP! GO TO www.dearartiste.com NOW!!!

Monday 26 March 2012

IS SOMEONE TELLING YOU TO GIVE UP MUSIC?



Most artistes have a strong need for approval. Mainly because their work is intended for the public ear. But a truly creative mind just wants an avenue for expression without caring if he or she is accepted or not.
I have seen several promising upcoming artistes throw in the towel after meeting several brick walls on their way in. some blame everyone who hadn’t supported them, insinuating that if they had gotten more support they would have been more successful.
Some blame their quitting on lack of support from family and friends, the local media, OAPs and whatever!
Is someone telling to give up your dreams because “they just don’t think it’s realistic” or they “don’t see you as superstar material”? 
Let me tell you one thing: If you want a formula for failure, it’s just one word. Quit. That’s the one thing that will definitely stop your career cold.  According to Christopher Knab, “If you’re quitting because the people you think are important haven’t properly recognized your talents, then you have your head on backwards.”
You cannot let criticism stop you! You shouldn’t let ridicule and un-acceptance even by industry people diminish your drive and passion to create either. The “celebrities” of today were once rejected and ridiculed upcoming artistes of yesterday.
A lot of really creative people suffered rejection from parents, but they still followed their dreams and passion. And it paid off in the end. So why would you let anyone box you into a corner?
One sound advice I can give you is that, DON’T COME INTO THIS INDUSTRY LOOKING FOR FAME AND FORTUNE. You do what you do for the simple reason that you love and enjoy making music. That way, you will save yourself the heartache that comes with rejection.
Think about this; inside the word discouragement is the word courage.  So keep on keeping on. If you’re as good as you think you are, start working today to prove it, and never give up!

Sunday 25 March 2012

A LITTLE ABOUT LOW-BUDGET SELF PROMOTION

I speak with upcoming artistes everyday and I can tell you that one topic that takes precedence in those conversations is MUSIC PROMOTION, and how to go about it on a low budget.
It’s going to take genuine love to be a successful artist because most upcoming artistes do not have money. In the first stages of your career, you are the promoter and the manager, and you will need to find out what budget will be enough to create a buzz around you and your music.
It is necessary to come up with effective and low-cost methods of artiste promotion, so check out some examples of how to get the most results out of your limited resources. 

Do Something Every Day
You can’t promote your music effectively by doing it every once in a while, when you happen to find time to squeeze it in.  Too many artistes think about self-promotion in terms of the big media buzz. They use terms like “push” and “hype” and believe that one big wave of promotion will launch a music buzz that will somehow continue without any further effort from them. Sorry, but that isn't the way a successful music career works.  Stop thinking about the Big Push and start getting in tune with the idea of small self-promotion activities engaged in on a daily basis.
Every day, do something to promote your music. Send a review copy of your CD to a new media source. Talk to another artist about a cross-promotion idea. Post something interesting to your social media profiles. Whatever you do, make sure u do something that will move your career forward everyday! 

Be Consistent
Your self-promotion efforts are in competition not only with other musical acts of all types, but with all forms of media – radio, TV, Internet, print magazines, and bla bla bla! So People will need to hear your message repeatedly before it’ll even begin to sink in.
Without consistency in your promo efforts, Your identity will become vague, causing fans to turn their attention to matters they can more easily get a handle on.

Make good use of a Brand Identity Statement (BIS), which is a short sentence or motto that clearly describes who you are, what you play, and why people should care. Creating a BIS forces you to define your musical image. And once you have that locked down, all your promotional materials must reflect that image. 
Your continuous presence on your social media page also matters. You can’t afford to be going on and off. Posting when you feel like, if you do that your audience will lose confidence in you and they will follow whatever brand is being consistently pushed in their faces.

 Print a Business Card
Business cards are very effective when it comes to marketing. Business cards are not easily thrown away like flyers because most people put them in their pockets. Business cards are very useful when making contacts. There are people you will meet that will not have time to sit and talk to you. But handing them your card gives you leverage because they will keep it and find you when they need you.

Use the internet judiciously
The Internet is one of the best ways to Promote Your Music on a Low Budget! With FaceBook.com, MySpace.com, reverbnation.com, iwantairplay.com, jukeboxalive.com, and all the other social networking sites out there, distributing your song online is not so hard. Take advantage of social networking and connect with music bloggers too. Even if some might charge you a minimal fee, your music online is an opportunity for you to reach a wider audience. 

Last word: If you don't know anything about new media or how people communicate these days, none of this will work. So make sure you educate yourself, every opportunity you get.
I hope this article helps!  Goodluck!


Saturday 24 March 2012

QUOTE OF THE DAY!

“I know you've heard it a thousand times before. But it's true - hard work pays off. If you want to be good, you have to practice, practice, practice. If you don't love something, then don't do it.”
  
 

Ray Bradbury

Friday 23 March 2012

TALENT VS HARD WORK



Hi there!

It’s been a while I had written any articles. My apologies guys! It’s been a hectic week. But hey! I’m here now, so let’s talk about hard work and talents.
A lot of new artistes are hopelessly hooked to the idea that with a good voice and good production is enough to make them a super star. And after managing to get a little media attention, the next agenda is living the life of a celebrity with all the blings, parties and champagne popping.
But hold on a minute, have you ever wondered why some artistes seem to make a big break, come into the industry with a huge banging single, and after the buzz and they hype and the parties and the shows, everything seems to disappear, including the artiste!  Those kind of artistes I believe, are called “One Hit Wonders”.
The hard truth is, the music industry is a jungle, where only the fittest survive.  As an upcoming artiste there is no alternative to hard work. Yes it’s fantastic to be talented. Your talent will get you in, but your hard work and dedication will keep you there and guarantee you a place.
When you look at the most respected artistes in the industry, they have attained this status because they have worked hard to achieve their various successes.  It may be said that you can get a lot further on a little talent and a lot of hard work rather than the other way around because no matter how good you are, if you don’t rehearse, put in your share of the grunt work on promotion, PR, and sharpening up your act, you will end up a one hit wonder.
So to end my rambling today, one word of advice: DO THE WORK BEFORE YOU LIVE THE LIFE!

Tuesday 20 March 2012

6 IMPORTANT DIGESTIVES FOR THE UPCOMING ARTISTE

There are certain realities about the music business that must be chewed and digested in order to rid ourselves of any naïve concepts and beliefs about breaking into the industry. With this in mind, the following observations should be taken as wake-up-calls about establishing your career.
#1: Make Music That Doesn't SUCK!
95% of the independent music out there contains regurgitated ideas that were ripped off from some other more gifted musicians. Don’t copy! Borrow yes, but copy no. Challenge yourself. What is it about your music that makes it stand out from all the rest? From song writing to musicianship, music intended for the marketplace must be performed and recorded capably. Music that sucks is music that does not grab your listener. Music that sucks is music that takes only 10 seconds to dismiss because the production quality, or the vocals, or the lyrics are pedestrian at best, or mediocre for the most part. Music that sucks is music that sounds like you’ve heard it all before.
#2: Don’t Worry About Getting Paid For Every Gig.
You can always tell the difference between a musician who is in it for the money, and a musician who is in it for the music. The dedicated musician can’t not play music every chance they get. Money-focused musicians whine about the fact that they can’t get club gigs that pay anything. If you really think that you can make your living solely as a musician in the first three to four years of your career, you are headed for a breakdown and disappointment. Think about it...almost every legendary, gifted musician who has made a mark on our culture has been a musician who struggled long and hard at their craft, and never gave up.
#3: Be A Master Musician on Your Instrument.
Why settle for less. Whatever developing stage you are at, go beyond it, re-commit yourself to your instrument or voice. Challenge yourself to go beyond your limitations. Who knows, maybe you will fall into some new territory, wherein you will find yourself, your ‘sound’, and increase your chance to stand out from all the mediocrity that is your competition.
#4: Protect Your Investment...Copyright Your Songs.
If you really intend to work hard and develop your career as a musician who writes your own songs, don’t wait too long to take care of this simple, but essential task. If you really believe in your unique and original music then take the time to learn the basics of copyright protection.
#5: Design Simple, But Effective Promo Materials.

The topic of designing and writing effective promotional materials; bios, fact sheets, cover letters, quote sheets etc. is a lengthy one to say the least. Here are 3 tips to help you promote your careers, and enhance your chances of getting some deal offers. Do the following:
  • Take the time to inventory any accomplishments, positive reviews, training and awards, past sales, and live appearances, and organize them into bios and fact sheets.
  • Make your promo materials as compelling, and informative as possible. If you can’t write, hire a professional publicist.
#6: Know The Labels and Publishers You Hope To Be Signed To.

If you were applying for a job with a certain company of corporation, wouldn’t you take some time to ask questions about their stability as a business, their reputation in the industry, and the executive’s background and experience? The same is true when shopping for a record or publishing deal. Some musicians get so excited when a certain label or publisher approaches them with a contract offer. Being approached for a deal is a compliment and is a recognition that a musician’s music is attractive to them.

But, to rush ahead without taking the time to learn a few things about those companies is foolish indeed. Ask some questions:
  • How have they done with your particular genre of music?
  • What specific kinds of deals are available?
  • Who runs the label or publishing company?
  • What is their reputation in the music business?
  • What are their ideas for promoting your music?
  • How do you like them as people?
These and other questions can be crucial in making an unemotional decision about an arrangement that could make or break your career.

Christopher Knab is an independent music business consultant based in Seattle, Washington. He is available for private consultations on promoting and marketing independent music, and can be reached by email at: chris@chrisknab.net

THIS ARTICLE WAS CULLED FROM ONE OF HIS WRITE-UPS ON THE MUSIC BUSINESS.